Rob Parnell's Writing Academy Blog

So - we made it to the end of the year.  I hope last year was all that you wanted - and needed - from your present life. We often think that the new year is a time to recycle all those old resolutions.  I think this can be a mistake.  Because we then send a message to our brains that goals and ambitions are to be confined to January - and forgotten when the year gets under way! The time to make resolutions is every day.  Just five minutes in the morning - say at nine o clock - spent making a short list of the things that are important to you - bearing in mind the long term, as well as the short, will pay huge dividends when it comes to reviewing your progress towards your dream life. Year's end is really only a time to ask: Am I living my dream life?  And if not, what can I do to make that happen by the end of next year? Usually any kind of success these days implies self promotion... Writers are often expected to self-promote, either thr...

It seems the longer time goes on, the more traditional publishers are shutting their doors to new authors.  Writers I speak to are getting their manuscripts back sooner and more frequently with those customary rejections these days, even if they've had publishing deals in the past. Anyhoo, where I live, South Australia has more than its fair share of successful writers - Sean Williams, who writes Star Wars novels, for one.  DM Cornish, whose Monster Blood Tattoo trilogy has a Hollywood option.  My wife, Robyn Opie, is the author of 85 internationally published books.  Janeen Brian is the proud author of 75 picture books, the list goes on. Wannabe professional writers should find this encouraging. Of course a lot more writers find success online these days, being independent and carving a niche as an authorpreneur. My subscribers often complain about how long it takes to gain some traction as an independent author. But don't forget it's never be...

  Many writers swear by critique groups. They rely on them for good solid feedback from a wide variety of other writers - because it's helpful, confidential and, best of all, it's free. But many new writers join critique groups for the wrong reason. Actually, it's not so much wrong - and it's common enough - but it does hamper what you might get out of judgment by your peers. Namely, newbie writers usually only want one thing, and that is: validation. It can come as a great shock to new writers to venture out into the world - to finally summon up the courage to show their work to other writers - only to discover that they are not universally and immediately acknowledged as a genius. I have seen this phenomenon over and again. New writers come down to our own crit groups and read their material. You can tell they most times only want one response - to be told that their work is brilliant! Any other gentle criticism from group members can result in a ...

I hope you're well and happy and that your writing is going well. Most of you will know by now that I send out a free newsletter every week - usually on Fridays. But I'm not sure everyone will know why. Fact is, I have a dream... I've always known I wanted to write. I actually started writing before I could read properly. I've kept a diary of my private - and not so private - thoughts since I was around five years old. I don't know why, but it always seemed logical and somehow important to record my insights in written form. I guess that's how most writers start out. Later, I wrote plays, short stories, movie scripts, even novels as projects that had to be fit around the rest of my life, working to pay the rent in whichever place I found myself. Mostly London, UK, as it turned out - where I submitted manuscripts and played music to earn a crust for almost two decades. Over that time, I read as many books about writing as I could find. I took cours...

The more you write, the more you realize how hard it is to get anyone to take any notice of you. Newbies often worry that their words are going to have some awful and monumental impact on people - way out of proportion to reality. First time novelists often email me in varying states of panic, asking if it's okay to say this or that. Others are so afraid of putting their name to their own writing, they want to invent pseudonyms - usually just before publication! In case their own words come back to bite them somehow. In today's world, it's hard to even get noticed, let alone raise a stir in people enough to provoke a response. There's about billion new words appearing on the Internet every day. In the real world, probably a billion again appearing in new books, newspapers and magazines. Writers everywhere are trying to read and to be heard, to be taken seriously. And yet, a celebrity's kiss will always be more compelling news. You've got to see ...

Writers are a stubborn lot. Sometimes it can take us decades to learn a subtle truth about writing that forever changes us - and our writing - for the better. At various stages in my writing career, more experienced writers and critics have said (in no particular order) "watch your point of view switches," "careful not to use the author's voice," "learn format and punctuation assiduously," "don't over justify your concepts," "don't overuse adjectives or qualifiers," "dump cliche and adverbs," "be totally honest in your writing," "know your characters inside out," "make your motivations believable," "write for the reader," etc., etc. Each time I felt an inner resistance and fallen back on the age-old feeling of "I know what I'm doing - that's my style." Only to realize, sometimes years later, that my peers and critics were right - and that I shoul...

Being a fan of Charlie Kaufman's early screenplays - Adaptation, Being John Malkovich and Eternal Sunshine of the Spotless Mind - I sat down last night to watch the film he recently wrote and directed, Synodoche, New York. I had high expectations I guess - perhaps too high. I had assumed that Kaufman's quirkiness came from a need to be original. Alas, the film betrayed his true fascination - in a line from the movie, he even says, "I realize now that nobody's interested in my misery." And why should they be? Kaufman's universe is a bleak one. Our lives are seedy and pointless and become all the more complex, or rather painfully complicated, as we strive to examine and make sense of them. There's no joy in Synodoche, only angst, regret and loneliness. No love, only misunderstanding, lack of connection and fear - and the ever present specter of death. The only line I found uplifting in an otherwise dire waste of screen time was: "There are no ...