Rob Parnell's Writing Academy Blog

I've been reading a few thrillers recently, branching out into authors I'm unfamiliar with. I thought this might be good for my writing - to get to know what other writers are doing. I noticed a pattern, as is my wont. Good reads are not always just about drama, conflict and characterization. More and more there seems to be a need for an over-arcing theme that is independent of the story. Often this will take the form of an historical event or a branch of science or an intimate affinity to a subject unfamiliar to the reader. I remember that Stephen King once said that he'd noticed that novels written by people with specialized knowledge had less trouble getting published than himself sometimes. (Who knew?) Tradesmen who knew how to fix fences or pan for gold - and who weaved their specialization into their fiction - could sometimes create stories that were more compelling than mere dramas. I suppose that's why certain authors have used their former profe

I borrowed a book from the library, written by Ray Bradbury, called "Zen in the Art of Writing". It's so packed with great writing advice I'm almost loathe to finish it - because then I'll have to take it back! Writers often wonder about inspiration - and how to get good ideas for stories. And often, when writers start out, they wonder what kind of writer they're going to be - and what kind of stories they will write, and in which genre. Mr Bradbury has some advice on both of these issues. In the pages of his book, he explains what helped him. He says he's been writing at least a thousand words every day of his life since he was twelve. Great. We like to hear that all the best writers have this simple habit ingrained. He'd been reading a lot of science fiction since he was a kid he said and naturally thought he was destined to be an SF writer. Trouble was, in his early twenties, he wasn't having much success with his SF stories. Editors complained

Here's the thing: sometimes you have no idea how your writing will go when you start. Sometimes the thought of starting is so stressful, you'll do anything to avoid the work. But you have to get started. You need a time in your day when you always write. You need to train your brain into knowing what that time is. Then just turn up. And let the writing take care of itself. They say it takes about a month to change a habit. That's why rehab centers use a 28 day program. A month is roughly how long it takes for the body and mind to adjust to a new set of rules and circumstances. There's no real cure for an addiction. The best therapists know that replacing a bad habit with a new obsession is way more effective than simply denying an urge that will no doubt resurface. The reason why most drug addicts go back to taking drugs is that, even though they may have rid themselves physically once, their situations, their daily lives, their friends and influences conspire to get th

I hope you're well and happy and writing! We're releasing two more ebooks on Magellan this week. The success of the first two books has been a welcome and gratifying surprise to myself and the authors. Both Billie Williams and Ian Randall have received high praise for their books - and now have royalties due to them as a result! Why not send in your own ebook for us to publish? ( See our FAQs ) I'm sure it'll be worth your while! THIS WEEK'S ARTICLE: Writing at the Pit Face I often get emails about how to submit correctly to publishers and agents. The guidelines for most publishers and agents is easily attained, usually on their websites - or in offline Writer's Guides at your library. The most fundamental issue here is that you shouldn't even consider submitting a manuscript UNLESS you've read those guidelines. Never think that you can shirk this primary consideration! In general terms though, the majority of guidelines go like this: 1. Double spaced

Recently I've changed the way I write fiction. You know me. For years I've been saying the best way to get past writing blocks is to write your first draft quickly. Get the words and the story down first and worry about the editing later. This process certainly works if you're having doubts about your ability to actually get a whole book written. The principle of letting go of your inner critic is valuable - especially if you're prone to blocks. My last novel was around 90000 words, which I wrote very quickly. After the initial draft I sat down and then plotted the whole thing - a mistake to be sure but my feeling is that you have to do whatever works for whatever piece you're working on. Different MSS often need a different approach so that you don't go stale sticking to own self imposed routines. That's fine. Embrace change. Sometimes an idea is so strong you just want to get started - as I did with my last novel. I loved the premise so much I managed to