Rob Parnell's Writing Academy Blog

It's easy to feel negative. The media is always telling us we're on the brink of economic collapse - that it's only a matter of days before the biggest slump since the 1930s Depression takes away the value of our property, our savings and our livelihoods. Many would-be writers are tightening their belts, ignoring the call to write in favor of the day job. They're giving up their dreams in droves, convinced that it's all too hard... Uh, did I miss something? Doesn't anyone remember basic economics from school? I thought it was well known that economic activity goes in seven year cycles - apparently something to do with the sun - and that boom and bust years are natural and inevitable. Smart stock market people know there's never a bad time for investors - there's just alternate opportunities. While some stocks slide, others climb. When the market is overpriced, it adjusts itself by devaluing. When stocks and interest rates are high, people

I was asked this question by an esteemed subscriber this week and thought it might make an interesting article. In the publishing and movie industry the terms theme and premise are bandied around liberally - and it's assumed that writers know the difference, even if agents, publishers and marketing  people are not so up on the precise meanings. Basically the premise to a story is your starting point. It's the idea behind it - its reason to be. I've seen members of writer's groups ask the question: "Can you write a story without a premise?" I would have to say you could try - but fairly soon you'd run out of things to say. You need a premise to give a story legs. Besides which, most writers are able to sum up what their story is about - or going to be about - in a short sentence of two. So what makes a premise? Mostly an intriguing idea, a what-if scenario or a justaposition of two disparate notions fused together. The premise is usually an

I've been studying drawing recently (I'm trying to teach myself movie storyboarding) and came across a great quote from comic artist Klaus Janson. He said, "Every creative person I know works from the ground up, from the big to the small, from the general to the specific." Many writers forget this when they're writing. They get so absorbed in details that they forget about - or can't see - the importance of the big picture. In the past I corresponded with a writer who obsessed over her opening chapter so much that she never wrote her novel. Months went by and no matter how much I encouraged her to move on, she couldn't. To her, if the first three thousand words weren't exactly right, she couldn't let herself continue with a story that she might never finish. Now, I know this is common. It's also dumb. Because writing stories is about context. The big. You cannot know what is good about a story - even down to the tiniest word or s